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ENTERTAINMENT

China’s Music Festivals

Music festivals have only been around for two decades in China, but have increased exponentially—even leading some to worry about a bubble—until the Covid-19 outbreak. Since then, how has the industry tried to make a comeback for Chinese music-lovers?

author Aladin Farré
Aladin Farré
May 16, 2022

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Previous Episode

Film Distribution: How to Succeed at China’s Box Office

China has become the biggest film’s market in the world after Covid-19, with 82,000 screens, so distributing a movie in Chinese cinemas seems like it would be an easy task. But with dozens of films coming out each week, what are the tricks for film distributors to find their audience?

Next Episode

China’s Indie Games (Part 2 – China’s video game industry)

China’s video game industry is huge, but most of the games are made for the mass market of online mobile players. But what about the niche market of indie games, often focused more on single player story or particular game mechanics? How do Chinese creators find their audience, and do they have an audience outside of China?

Music festivals have only been around for two decades in China, but have increased exponentially—even leading some to worry about a bubble—until the Covid-19 outbreak. Since then, how has the industry tried to make a comeback for Chinese music-lovers? 

Featuring
- Eric de Fontenay - MusicDish 独立小炒 President
- Yang Yu - Midi Festival Head of International

Middle Earth is distributed by The World of Chinese (www.theworldofchinese.com). Every two months, both in print and online, the team at TWOC takes a contemporary issue in Chinese society and culture and looks behind the headlines to share how it affects people on the ground.  

Middle Earth is made by China Compass Productions and hosted by Aladin Farré. If you have a China-themed cultural project like shooting your next documentary or look for a specific talent, please get in touch! 

With thanks to Sean Calvo for music support.

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