Zheng Yiwen is a contributing writer at The World of Chinese. She was a political journalist at The Paper and Phoenix Media, now she writes mainly about society and culture, for sharing fresh voices from China.
Since their conception, the micro-drama format has been in constant flux, but does a new injection of capital—boosting production values and drawing big names—as well as interest by the state and companies abroad, really spell a more refined future for the genre?
Since their conception, the micro-drama format has been in constant flux, but does a new injection of capital—boosting production values and drawing big names—as well as interest by the state and companies abroad, really spell a more refined future for the genre?
More and more young Chinese are flocking to their western neighbor to study, travel, or simply escape the stresses of home life at an affordable rate—but not all leave satisfied, finding living conditions harsher than they had imagined
Since graduating from Beijing’s Central Academy of Fine Arts in 2016, Cao Yu has set out to make work that is brazen, subversive, and unflinching, becoming one of China’s most influential young artists in the process