Zhang Yimou writes “scar literature” about cinema in One Second, a film set in the Cultural Revolution
Can the legend of Jiang Ziya propel Chinese animated cinema to new heights?
Two recent releases try to push the boundaries of “patriotic” filmmaking
What does the success of The Wandering Earth spell for the future of Chinese cinema and sci-fi?
Jing Tian may be conquering Hollywood, but at home she has noisy detractors
Or add: Theworldofchinese